Saturday, May 23, 2020

The Thing Around Your Neck - 943 Words

The collection of short stories ‘The Thing Around Your Neck’ written by Chimamanda Ngozi Adichie demonstrates that in Nigeria, men women, boys and girls are treated differently, and these relationship in which gender inequality exists leads to family conflict. And corruption exists in Nigeria and also the violence. These issues have lasting impacts on the characters. Many of the characters experience violence, some due to civil war and conflict between religious groups, and others due to corruption. In the story ‘Cell One’ Nnamabia both witnesses and experiences violence in the Nigerian jail. When Nnamabia has been caught and put in jail, his family bribed police and guard to see Nnamabia. Also Nnamabia paid police to treat him better.†¦show more content†¦The author uses sensory details of sounds, smells and feelings to highlight to horror of the violence experienced by Chika. ‘†¦smell is sickening, of roasted fish, unlike that of any she has ever smelled’. And also author uses future tense and repetition ‘never find her sister’ to highlight the tragedy and horrific event of the war and violence. Throughout the story, the author demonstrates the futility of war and violence identifies that there is no positive affects to anyone at all. The novel also explores the negative impact that inequality has on the lives of Nigerians. Characters experience both gender inequality and inequality between different classes of society. In the story ‘Tomorrow Is Too Far’ the author highlights that how her grandmamma treats her and brother differently. Her grandmamma taught her brother Nonso how to pluck the coconuts but not her. Because ‘girls never plucked coconuts’. Nonso was always given the first sip of coconuts and grandmamma cooked meals with him in mind, not his sister. Nonso’s sister was told instead ‘this is how you will take care of your husband one day’. And also her mother used to end her brother’s nightly goodnight ‘ho-ho-ho’ laughing, but never left her room laughing. That’s all because Nonso is grandmama’s ‘sons only son, who would carry on the Nnabuisi’ name. This demonstrates that the importance of name and that these beli efs lead to gender inequality. The author also shows the negative impact of gender inequality.Show MoreRelatedThe Thing Around Your Neck854 Words   |  4 PagesThe women show courage and intelligence even though they are culturally suppressed. Discuss. The Thing Around Your Neck by Chimamanda Ngozi Adichie highlights the often challenging lives of Nigerian women living in Africa, but also abroad in the United States. It is however, not the difficulties which Adichie is ultimately focusing on, but the courage and intelligence of women who are able to make ‘small victories’, overcoming various attempts of cultural oppression. Adichie’s characters areRead MoreThe Thing Around Your Neck2524 Words   |  11 PagesYWCA Indianapolis P.O. Box 40264 Indianapolis, IN 46240 T: 317-250-8593 EM: ywcaindy@sbcglobal.net www.ywcaindy.org Questions for â€Å"The Thing Around Your Neck† by Chimamanda Ngozi Adichie Cell One 1. What were your thoughts on this first story about the spoiled boy, Nnamabia who stole from neighbors and his own family and always got himself out of whatever jam he was in? 2. Why do you think his family let him get away with such actions for so long? Could you tell they treated boys differentlyRead MoreThe Thing Around Your Neck Essay960 Words   |  4 PagesChimamanda Ngozi Adichie The Thing around your Neck Essay: Analysis and acknowledgement The main theme in the text †The Thing around your Neck† must be that outstanding culture clash a lot of hope full immigrants in America are exposed to. Just from the very beginning we experience that the main character Akunna from Nigeria has very high thoughts of going to America. Her family is also very convinced that it is going to be a huge thing for her, they are expecting her to send them presentsRead MoreThe Thing Around Your Neck Critical Analysis984 Words   |  4 Pagesunderstood as ‘boys being boys’. Adichie uses this common cliche of the treatment of men to her advantage in The Thing Around Your Neck, a book primarily about the struggles of Nigerian immigrant women. In The Thing Around Your Neck by Chimamanda Ngozi Adichie, men are generalized to be antagonistic and inconsiderate, to further emphasizes the struggles of African women. The Thing Around Your Neck is a collection of different short stories ranging in characters, situations, and overall themes. In theRead MoreThe Thing Around Your Neck Critical Analysis881 Words   |  4 PagesAdichie made sure to show a large difference in the way men and women treat each other. In the book â€Å"The Thing Around Your Neck†, Adichie chooses to represent men in a disturbing, disrespectful and uncomfortable way and women is a more vulnerable way. She does this to show that there are a lot of men that try to take advantage of women in many different ways. In the book â€Å"The Thing Around Your Neck†, Adichie chooses to represent men in a disturbing, disrespectful and uncomfortable way by adding inRead MoreThe Thing Around Your Neck Short Story Summary1111 Words   |  5 PagesIn the short stories â€Å"The Thing Around Your Neck, written by Chimamanda Ngozi Adichie, and Drown, written by Junot Diaz, there are two different characters who are both immigrants, and their lives after coming to America. In Drown, Yunior is a boy in his last year of high school, who sells drugs to younger kids, as a living. His former best friend,Beto left for college, and the story starts with his life without Beto. In TTAYN, the main character,and how he has developed without him. Akunna immigratesRead MoreThe Thing Around Your Neck By Chimamanda Ngozi Adichie2141 Words   |  9 PagesThe short story collection, The Thing around Your Neck, by Chimamanda Ngozi Adichie, contains twelve short stories about Nigerian characters in either Africa or America. In the collection, it is integrating to see the struggles of the Nigerian characters that straddle two worlds. It is also easy to see individuals act to control their own life, whether it is a woman or a man in the story. The protagonist of each story has the choice to choose whether they will accept, decline, or change the situationRead MoreAnalysis Of Chimamanda Adichie s The Thing Around Your Neck Essay1643 Words   |  7 PagesChimamanda Adichie’s collection of short stories The Thing Around Your Neck deviates from what many individuals in the West may consider to be the traditional view of Africa. In her 2012 TED Talk, The Danger of a Single Story, Adichie states that the â€Å"telling of African stories in the West† is a â€Å"tradition of Sub-Saharan Africa as a place of negatives, of difference, of darkness†¦Ã¢â‚¬ . In this same TED Talk, Adichie also speaks about how at one point a professor told her that the novel was not â€Å"authentica llyRead MoreThe Thing Around Your Neck - Tomorrow Is Too Far Analysis Essay1742 Words   |  7 Pageswhereas Dozie was only the son of a daughter. It was this summer that you found the shedded skin of the snake your Grandmama called echi eteka, ‘Tomorrow Is Too Far’ because it would kill you in ten minutes. The main character made it very clear that it was not this summer that you fell in love with your cousin, Dozie. That had happened three years earlier. The most significant thing about this summer was the death of Nonso. No one in Nigeria actually called it summer. It was the time betweenRead MoreInterpreter Of Maladies By Jhumpa Lahiri And The Thing Around Your Neck By Chimamanda Adichie1395 Words   |  6 PagesJhumpa Lahiri and The Thing Around Your Neck by Chimamanda Adichie. Both of the authors’ stories examine the cultural experience immigrants endure, marriage often playing a large role. A Temporary Matter from the collection, Interpreter of Maladies uses a well-established immigrant couple, whereas Arrangers of Marriage from The Thing Around Your Neck uses an arranged marriage to show the experiences immigrants endure. While we often recognize marriage as a beautiful thing, we must understand it

Tuesday, May 12, 2020

The 1950s and the 1960s - 900 Words

The 1950s and the 1960s had many similarities, though they had many differences as well. Their similarities and differences include: the politics, the economy, the society, and the culture of both decades. In the 1950s, North Korea moved into South Korea and began a civil war between the two parallel countries. The reason for this dispute was the border lines as well as guerrilla fighting in the South, which created a greater tension on the issue. The reason why the U.S entered the Korean War was so that the Soviet Union would not gain another nation and, in turn, more power. Like the 50s, our country was also at war with another country in the 60s. This time, the U.S was at war with Vietnam. The U.S entered the war because the†¦show more content†¦After Kennedy’s assassination, the country mourned and Lyndon B. Johnson assumed the presidency and began to finish the work that JFK started. Although Eisenhower was not a take charge kind of president, the country achieved a heightened level of prosperity. Economically, the 1950s were a pretty successful era. People had been saving their money through WW2 and they were ready to start buying houses, cars, etc. There was much inflation in the during the war, but it had quickly diminished as the years progressed. One of the issues that Eisenhower tried to address was to balance the federal budget of the nation. This was very difficult, especially since the families of the 50s were buying more and spending less with the use of credit cards. However, in the 1960s, prosperity was becoming too far out of reach. The Cold War and the Korean War were very costly in military spending. It had taken its toll on the economy. Even with more people buying, the economy was growing at a very slow rate. There were also millions of Americans who were still living in poverty, and the economy had gone into recession quite a few times in the 60s. Then, the stock market fell dramatically, the worst it had been since the Depression. Kennedy addressed this by making tax cuts for larger business, which helped the economy develop and grow more prosperous in the years to come. However, inflation made a reappearanceShow MoreRelated 1950-1960 Essay1699 Words   |  7 Pages1950-1960 During the 1950s, the United States experienced great change with the end of World War II, making it difficult to label the busy decade. America was the most powerful nation in the world and it was a time of complacency. The United States accepted two new states, Hawaii and Alaska (www.fifties.com). The science world boomed with new inventions; televisions broadcast nationally; rock n roll was popular; commercial hotel and fast food chains became common; the car industry exploded;Read MoreThe Civil Rights Movement Of The 1950s And 1960s1183 Words   |  5 PagesThis essay will discuss the impact of the Civil Rights movement of the 1950s and 1960s on the lives of African-Americans in that period. The Civil Rights movement refers to the movement which aimed to remove racial discrimination and segregation and improve the social, political, legal, and economic rights of black people in America . Although slavery had been abolished with the end of the Civil War , the â€Å"Jim Crow† laws kept black people and white people segregated from each other and the votingRead More1950s and 1960s: A Decade of Fashion and Fabrics2054 Words   |  8 Pagesï » ¿Introduction The era of 1960s was the era of extensive change throughout the world of fashion and also the one that generated ideas and images which are still present as modern as todays contemporary fashion. Fashion previously had aimed to a specific market of wealthy and mature elite but now-a-days, the tastes and preferences of young people are at the focus. The decade started with the dominance from the Parisian designers who dealt with very expensive haute couture garments. The women apparelRead More The Influence of American Culture in the 1950s and 1960s in Canada538 Words   |  3 Pagesborder (the United States) have been captivating the Canadian audiences by large. American media has had a momentous revolutionizing effect on Canada, even through efforts made to define Canada with its own cultural identity. Pop culture in the 1950s and 1960s began to spread and infest the nation from front to back through radio shows, books and magazines, television programs, and even motion pictures. Whether it is culture in terms of political affairs, clothing or the latest musical sensations, theRead MoreThe Black Freedom Movement of the 1950’s and 1960’s2001 Words   |  9 PagesFor my essay, I have chosen to discuss the statement â€Å"The Black Freedom Movement of the 1950’s and 1960’s captured the attention of millions†¦ As American Americans started streaming into American cities, or what American corporations call â€Å"†major markets† U.S. businesses sought to influence the consumption patterns of these increasingly important black consumers.† I have chosen to discuss this title because I believe it had an extremely rich and interesting background to it as well as being ableRead MoreThe Independent Record Labels of the 1950’s and 1960’s4437 Words   |  18 PagesThe Independent Record Labels of the 1950’s and 1960’s History of Music Production Eric Eller Throughout the 1950’s and 1960’s, a wave of new musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label creators and owners, and in the turbulent journey through their successes and failures. The first emergence was fueled by multiple factors: competitive economic circumstances, up-and-coming local musicalRead MoreThe 1950s and 1960s: A Time of Great Changes Shaping the America We Have Today1006 Words   |  5 PagesWhen most people think of the 1950’s or 1960’s, they think of Elvis, Greasers, jukeboxes, Woodstock, and rainbow peace signs and hippie love. Although these symbols are somewhat accurate (and very popular), not many people think about the changes society and culture went through. The 1950’s and 60’s were a time of great change and freedom for many Americans. Everything from World War II, to the gay liberation movement, to the Civil R ights Act of 1964 helped to change society. Many of the viewsRead MoreThe 1950’s -1960’s was a tough time for African Americans. Struggling for freedom since the 19th700 Words   |  3 Pages The 1950’s -1960’s was a tough time for African Americans. Struggling for freedom since the 19th century, they were finally closer to getting what they deserved. Alice walker’s short story, â€Å"Everyday use,† describes the different stances blacks had during that decade. The author uses characterization, symbolism, and theme to demonstrate African American viewpoints during the civil rights movement. Characters are picked carefully because without them the plot of the story isRead MorePlease Discuss the Social, Political, and Economic Conditions of the 1950’s; Which Lead to the Social Upheaval of the 1960’s.3629 Words   |  15 PagesMicah Briggs HSTV 440 Essay 1 Please discuss the social, political, and economic conditions of the 1950’s; which lead to the social upheaval of the 1960’s. In the 1950s the United States was marked by economic growth and an increase in manufacturing and home construction due to the post WWII economic boom. The Cold War also began during this time frame and brought with it many conflicts that helped create the proliferation of a politically conservative environment throughout the countryRead MoreTo What Extent Was Grass Roots Activism a Significant Reason to Why the Civil Rights Movement Grew in the 1950s and 1960s1394 Words   |  6 PagesTo what extent was grass roots activism a significant reason to why the Civil Rights Movement Grew in the 1950s and 1960s The civil rights movement grew for a number of reasons during the 1950’s and 1960s. Prior to this select time period America were fighting in the Cold War and many black soldiers battled in the name of ‘freedom’. This was ironic as these black soldiers were fighting for something that they didn’t even have back home. Often Black soldiers talked about the ‘Double V Campaign’;

Wednesday, May 6, 2020

The Return Midnight Chapter 10 Free Essays

Damon was making his way up the beautiful rose-covered trel is below the window of the bedchamber of M. le Princess Jessalyn D’Aubigne, a very wealthy, beautiful, and much-admired girl who had the bluest blood of any vampire in the Dark Dimension, according to the books he’d bought. In fact, he’d listened to the locals and it was rumored that Sage himself had changed her two years ago, and had given her this bijoux castle to live in. We will write a custom essay sample on The Return: Midnight Chapter 10 or any similar topic only for you Order Now Delicate gem that it appeared, though, the little castle had already presented Damon with several problems. There had been that razor-wire fence, on which he ripped his leather jacket; an unusual y dexterous and stubborn guard whom it had real y been a pity to strangle; an inner moat that had almost taken him unawares; and a few dogs that he had treated with the Saber-tranquilizer routine – using Mrs. Flowers’s sleeping powder, which he’d brought with him from Earth. It would have been easier to poison them, but Jessalyn was reputed to have a very soft heart for animals and he needed her for at least three days. That should be long enough to make him a vampire – if they did nothing else during those days. Now, as he pul ed himself silently up the trel is, he mental y added long rose thorns to the list of inconveniences. He also rehearsed his first speech to Jessalyn. She had been – was – would forever be – eighteen. But it was a young eighteen, since she had only two years’experience at being a vampire. He comforted himself with this as he climbed silently into a window. Still silently, moving slowly in case the princess had guardian animals in her bedchamber, Damon parted layer after layer of filmy, translucent black curtains that kept the blood-red light of the sun from shining into the chamber. His boots sank into the thick pile of a black rug. Making it out of the enfolding curtains, Damon saw that the entire chamber was decorated in a simple theme by a master of contrast. Jet-black and off-black. black. He liked it a lot. There was an enormous bed with more bil owing filmy black curtains almost encasing it. The only way to approach it was from the foot, where the diaphanous curtains were thinner. Standing there in the cathedral-like silence of the great chamber, Damon looked at the slight figure under the black silk sheets, among dozens of smal throw pil ows. She was a jewel like the castle. Delicate bones. A look of utter innocence as she slept. An ethereal river of fine, scarlet hair spil ing about her. He could see individual hairs straying on the black sheets. She looked a little like Bonnie. Damon was pleased. He pul ed out the same knife he had put to Elena’s throat, and just for a moment hesitated – but no, this was no time to be thinking of Elena’s golden warmth. Everything depended on this fragile-shouldered child in front of him. He put the point of the knife to his chest, deliberately placing it wide of his heart in case some blood had to be spil ed†¦and coughed. Nothing happened. The princess, who was wearing a black negligee that showed frail-looking arms as fine and pale as porcelain, went on sleeping. Damon noticed that the nails on her smal fingers were lacquered the exact scarlet of her hair. The two large pil ar candles set in tal black stands were giving off an enticing perfume, as wel as being clocks – the farther down they burned, the easier to tel time. The lighting was perfect – everything was perfect – except that Jessalyn was stil asleep. Damon coughed again, loudly – and bumped the bed. The princess woke, starting up and simultaneously bringing two sheathed blades out of her hair. â€Å"Who is it? Is someone there?†She was looking in every direction but the right one. â€Å"It’s only me, your highness.†Damon pitched his voice low, but fraught with unrequited need. â€Å"You don’t have to be afraid,†he added, now that she’d at last gotten the right direction and seen him. He knelt by the foot of her bed. He’d miscalculated a bit. The bed was so large and high that his chest and the knife were far below Jessalyn’s line of sight. â€Å"Here I wil take my life,†he announced, very loudly to make sure that Jessalyn was keeping up with the program. After a moment or two the princess’s head popped up over the foot of the bed. She balanced herself with hands spread wide and narrow shoulders hunched close to her. At this distance he could see that her eyes were green – a complicated green consisting of many different rings and speckles. At first she just hissed at him and lifted her knives held in hands whose fingers were tipped with nails of scarlet. Damon bore with her. She would learn in time that al this wasn’t real y necessary; that in fact it had gone out of fashion in the real world decades ago and was only kept alive by pulp fiction and old movies. â€Å"Here at your feet I slay myself,†he said again, to make sure she didn’t miss a syl able, or the entire point, for that matter. â€Å"You – yourself?†She was suspicious. â€Å"Who are you? How did you get here? Why would you do such a thing?† â€Å"I got here through the road of my madness. I did it out of what I know is madness I can no longer live with.† â€Å"What madness? And are you going to do it now?†the princess asked with interest. â€Å"Because if you’re not, I’l have to cal my guards and – wait a minute,†she interrupted herself. She grabbed his knife before he could stop her and licked it. â€Å"This is a metal blade,†she told him, tossing it back. â€Å"I know.†Damon let his head fal so that hair curtained his eyes and said painful y: â€Å"I am†¦a human, your highness.† He was covertly watching through his lashes and he saw that Jessalyn brightened up. â€Å"I thought you were just some weak, useless vampire,†she said absently. â€Å"But now that I look at you†¦Ã¢â‚¬ A rose petal of a pink tongue came out and licked her lips. â€Å"There’s no point in wasting the good stuff, is there?† She was like Bonnie. She said exactly what she thought, when she thought it. Something inside Damon wanted to laugh. He stood again, looking at the girl on the bed with al the fire and passion of which he was capable – and felt that it wasn’t enough. Thinking about the real Bonnie, alone and unhappy, was†¦wel , passion-quenching. But what else could he do? Suddenly he knew what he could do. Before, when he’d stopped himself from thinking of Elena, he had cut off any genuine passion or desire. But he was doing this for Elena, as much as for himself. Elena couldn’t be his Princess of Darkness if he couldn’t be her Prince. This time, when he looked down at M. le Princess, it was differently. He could feel the atmosphere change. â€Å"Highness, I have no right even to speak to you,†he said, deliberately putting one booted foot on the metal scrol work that formed the frame of the bed. â€Å"You know as wel as I that you can kil me with a single blow†¦say, here† – pointing to a spot on his jaw – â€Å"but you have already slain me – â€Å" Jessalyn looked confused, but waited. † – with love. I fel in love with you the moment I saw you. You could break my neck, or – as I would say if I were permitted to touch your perfumed white hand – you could curl those fingers around my throat and strangle me. I beg you to do it.† Jessalyn was beginning to look puzzled but excited. Blushing, she held out one smal hand to Damon, but clearly without any intention of strangling him. â€Å"Please, you must,†Damon said earnestly, never taking his eyes off hers. â€Å"That is the only thing I ask of you: that you kil me yourself instead of cal ing your guards so that the last sight I see wil be your beautiful face.† â€Å"You’re il ,†Jessalyn decided, stil looking flustered. â€Å"There have been other unbalanced minds who have made their way past the first wal of my castle – although never to my chambers. I’l give you to the doctors so that they can make you wel .† â€Å"Please,†said Damon, who had forged his way through the last of the filmy black hangings and was now looming over the sitting princess. â€Å"Grant me instant death, rather than leaving me to die a little each day. You don’t know what I’ve done. I can’t stop dreaming of you. I’ve fol owed you from shop to shop when you went out. I am already dying now as you ravish me with your nobility and radiance, knowing that I am no more than the paving stones you walk on. No doctor can change that.† Jessalyn was clearly considering. Obviously, no one had ever talked to her like this. Her green eyes fixed on his lips, the lower of which was stil bleeding. Damon gave an indifferent little laugh and said, â€Å"One of your guards caught me and very properly tried to kil me before I could reach you and disturb your sleep. I’m afraid I had to kil him to get here,†he said, standing between one pil ar candle and the girl on the bed so that his shadow was thrown over her. Jessalyn’s eyes widened in approval even as the rest of her seemed more fragile than ever. â€Å"It’s stil bleeding,†she whispered. â€Å"I could – â€Å" â€Å"You can do anything you want,†Damon encouraged her with a wry quirk of a smile on his lips. It was true. She could. â€Å"Then come here.†She thumped a place by the nearest pil ow on the bed. â€Å"What are you cal ed?† â€Å"Damon,†he said as he stripped off his jacket and lay down, chin propped on one elbow, with the air of one not unused to such things. â€Å"Just that? Damon?† â€Å"You can cut it stil shorter. I am nothing but Shame now,†he replied, taking another minute to think of Elena and to hold Jessalyn’s eyes hypnotical y. â€Å"I was a vampire – a powerful and proud one – on Earth – but I was tricked by a kitsune†¦Ã¢â‚¬ He told her a garbled version of Stefan’s story, omitting Elena or any nonsense about wanting to be human. He said that when he managed to escape the prison that had taken his vampire self, he decided to end his own human life. But at that moment, he had seen Princess Jessalyn and thought that, serving her, he would be happy with his sorry lot. Alas, he said, it only fed his disgraceful feelings for her highness. â€Å"Now my madness has driven me to actual y accost you in your own chambers. Make an example of me, your highness, that wil cause other evildoers to tremble. Burn me, have me flogged and quartered, put my head on a pike to cause those who might do you il to cast themselves into a fire first.†He was now in bed with her, leaning back a little to expose his bare throat. â€Å"Don’t be sil y,†Jessalyn said, with a little catch in her voice. â€Å"Even the meanest of my servants wants to live.† â€Å"Perhaps the ones that never see you do. Scul ions, stable boys – but I cannot live, knowing that I can never have you.† The princess looked Damon over, blushed, gazed for a moment into his eyes†¦and then she bit him. â€Å"I’l get Stefan to go down to the root cel ar,†Elena said to Meredith, who was angrily thumbing tears out of her eyes. â€Å"You know we can’t do that. With the police right here in the house – â€Å" â€Å"Then I’ll do it – â€Å" â€Å"You can’t! You know you can’t, Elena, or you wouldn’t have come to me!† Elena looked at her friend closely. â€Å"Meredith, you’ve been donating blood al along,†she whispered. â€Å"You never seemed even slightly bothered†¦Ã¢â‚¬  â€Å"He only took a tiny bit – always less from me than anyone. And always from my arm. I just pretended I was having blood drawn at the doctor’s. No problem. It wasn’t even bad with Damon back in the Dark Dimension.† â€Å"But now†¦Ã¢â‚¬ Elena blinked. â€Å"Now – what?† â€Å"Now,†Meredith said with a faraway expression, â€Å"Stefan knows that I’m a hunter-slayer. That I even have a fighting stave. And now I have to†¦to submit to†¦Ã¢â‚¬  Elena had gooseflesh. She felt as if the distance from her to Meredith in the room was getting larger. â€Å"A hunter-slayer?†she said, bewildered. â€Å"And what’s a fighting stave?† â€Å"There’s no time to explain now! Oh, Elena†¦Ã¢â‚¬  If Plan A was Meredith and Plan B was Matt, there was real y no choice. Plan C had to be Elena herself. Her blood was much stronger than anyone else’s anyway, so ful of Power that Stefan would only need a – â€Å"No!†Meredith whispered right in Elena’s ear, somehow managing to hiss a word without a single sibilant. â€Å"They’re coming down the stairs. We have to find Stefan now! Can you tel him to meet me in the little bedroom behind the parlor?† â€Å"Yes, but – â€Å" â€Å"Do it!† And I stil don’t know what a fighting stave is, Elena thought, al owing Meredith to take her arms and propel her toward the bedroom. But I know what a â€Å"hunter-slayer†sounds like, and I definitely don’t like it. And that weapon – it makes a stake look like a plastic picnic knife. Stil , she sent to Stefan, who was fol owing the sheriffs downstairs: Meredith is going to donate as much blood as you need to Influence them. There’s no time to argue. Come here fast and for God’s sake look cheerful and reassuring. Stefan didn’t sound cooperative. I can’t take enough from her for our minds to touch. It might – Elena lost her temper. She was frightened; she was suspicious of one of her two best friends – a horrible feeling – and she was desperate. She needed Stefan to do just as she said. Get here fast! was al she projected, but she had the feeling that she’d hit him with al of the feelings ful force, because he suddenly turned concerned and gentle. I will, love, he said simply. While the female police officer was searching the kitchen and the male the living room, Stefan stepped into the smal first-floor guest room, with its single rumpled bed. The lamps were turned off but with his night vision he could see Elena and Meredith perfectly wel by the curtains. Meredith was holding herself as stiffly as an acrophobic bungee jumper. Take all you need without permanently harming her – and try to put her to sleep, too. And don’t invade her mind too deeply – I’ll take care of it. You’d better get out in the hallway, let them see at least one of us, love, Stefan replied soundlessly. Elena was obviously simultaneously frightened for and defensive about her friend and had sped right into micromanagement mode. While this was usual y a good thing, if there was one thing Stefan knew about – even if it was the only thing he knew – it was taking blood. â€Å"I want to ask for peace between our families,†he said, reaching one hand toward Meredith. She hesitated and Stefan, even trying his hardest, could not help but hearing her thoughts, like smal , scuttling creatures at the base of her mind. What was she committing herself to? In what sense did he mean family? It’s really just a formality, he told her, trying to gain ground on another front: her acceptance of the touch of his thoughts to hers. Never mind it. â€Å"No,†Meredith said. â€Å"It’s important. I want to trust you, Stefan. Only you, but†¦I didn’t get the stave until after Klaus was dead.† He thought swiftly. â€Å"Then you didn’t know what you were – â€Å" â€Å"No. I knew. But my parents were never active. It was Grandpa who told me about the stave.† Stefan felt a surge of unexpected pleasure. â€Å"So your grandfather’s better now?† â€Å"No†¦sort of.†Meredith’s thoughts were confusing. His voice changed, she was thinking. Stefan was truly happy that Grandpa’s better. Even most humans wouldn’t care – not really. â€Å"Of course I care,†Stefan said. â€Å"For one thing, he helped save al our lives – and the town. For another, he’s a very brave man – he must have been – to survive an attack by an Old One.† Suddenly, Meredith’s cold hand was around his wrist and words were tumbling from her lips in a rush that Stefan could barely understand. But her thoughts stood bright and clear under those words, and through them he got the meaning. â€Å"Al I can know about what happened when I was very young is what I’ve been told. My parents told me things. My parents changed my birthday – they actual y changed the day we celebrate my birthday on – because a vampire attacked my grandpa, and then my grandpa tried to kil me. They’ve always said that. But how do they know? They weren’t there – that’s part of what they say. And what’s more likely, that my grandpa attacked me or that the vampire did?†She stopped, panting, trembling al over like a white-tailed doe caught in the forest. Caught, and thinking she was doomed, and unable to run. Stefan put out a hand that he deliberately made warm around Meredith’s cold one. â€Å"I won’t attack you,†he said simply. â€Å"And I won’t disturb any old memories. Good enough?† Meredith nodded. After her cathartic story Stefan knew she wanted as few words as possible. â€Å"Don’t be afraid,†he murmured, just as he had thought the soothing phrase into the mind of many an animal he’d chased through the Old Wood. It’s all right. There’s no reason to fear me. She couldn’t help being afraid, but Stefan soothed her as he soothed the forest animals, drawing her into the darkest shadow of the room, calming her with soft words even as his canines screamed at him to bite. He had to fold down the side of her blouse to expose her long, olive-skinned column of neck, and as he did the calming words turned into soft endearments and the kind of reassuring noises he would use to comfort a baby. And at last, when Meredith’s breathing had slowed and evened and her eyes had drifted shut, he used the greatest of care to slide his aching fangs into her artery. Meredith barely quivered. Everything was softness as he easily skimmed over the surface of her mind, too, seeing only what he already knew about her: her life with Elena and Bonnie and Caroline. Parties and school, plans and ambitions. Picnics. A swimming hole. Laughter. Tranquility that spread out like a great pool. The need for calm, for control. Al this stretching back as far as she could remember†¦ The farthest depths that she could remember were here at the center†¦where there was a sudden plunging dip. Stefan had promised himself he would not go deeply into her mind, but he was being pul ed, helpless, being dragged down by the whirlpool. The waters closed over his head and he was drawn at tremendous speed to the very depths of a second pool, this one not composed of tranquility, but of rage and fear. And then he saw what had happened, what was happening, what would forever be happening – there at Meredith’s stil center. How to cite The Return: Midnight Chapter 10, Essay examples

Saturday, May 2, 2020

Corporate Financial Management Sensitivity Analysis

Question: Discuss about the Corporate Financial Management for Sensitivity Analysis. Answer: Introduction: Sensitivity analysis can be defined as an analysis that helps in knowing how sensitive an output can be to a change in the input while keeping other input constant. When it comes to corporate finance, it is defined as an evaluation of how a particular variable of an input in a capital budgeting decision like the discount rate, growth rate, etc influences the net present value, IRR or any other input with the other variables as constant. Sensitivity analysis is helpful in the manner as it addresses the user of the model how dependent the value of output is on each input. It provides a general notion of how much room is present for each variable to go into an adverse mode. It helps in the evaluation of risk (Davies Crawford, 2012). It is useful for a business because it helps in estimating what will happen to a project if the estimation turns out to be unreliable in nature (Albrecht et. al, 2012). It involves altering the estimates in a form of calculation to witness the impact on the finance of a project. In this manner, it helps the manager of the business to take a proper stand if the business does not lead to an expected result. Hence, the project can be evaluated beforehand and hence, the decision for investment can be taken accurately. Computation When it comes to the calculation of capital budgeting, evaluation alters one estimate at a particular time to witness the change in outcome. For instance, a business my forecast to earn $1000, $1500 and $1500 in the initial three years of the project. If an initial investment of $4000 is made by the business then the expenses will be recouping in three years. Further, the performance of the project may be enhanced as compared to the expectation that leads to a generation of $2000 on an annual basis in the second and third year respectively. The break-even of the business will happen in two years. If we consider a manager Mr. A who wants to know the influence of increment of the customers on sales. Considering the entire study, he derived at an understanding that the sales are a function of the volume of the transaction and the goods prices. The goods prices stand at $2000 per piece and in the past year, a total of 200 pieces were sold in the previous year. Hence, the entire revenue stands at $400000. The manager Mr. A judges the pattern of various customer sales and observed that an increment of 20% in the base of the customer will lead to enhancing the sales by 10%. This data will enable preparation of a financial equation and sensitivity analysis that are linked to the situation of what-if. As per the sales of the present year and an estimation of the projection in the base of the customer, Mr. A can derive at the sensitivity analysis of the scenario. Hence, from the above example, it is crystal clear that sales are strongly linked to the changes in the base of the customer (Brealey et. al, 2011). Scenario Analysis It is a tool that enables to evaluate the uncertainty by considering the outcomes of alternative nature. It need not be ascertained as a mechanism that is predictive in nature rather should be used a tool of analysis. For possible outcomes, three different scenarios can be judged like the base case, the best case, and the worst case. The base case is the one that contains the highest probability. The best case is the one where it is ascertained that all things move in the right direction and the worst case is deemed as a case where all the assumption makes no sense and fails miserably (Brigham Daves, 2012). Therefore, the analyst needs to take steps so that the present risks should be covered that might lead to negative conditions. However, the specific situation is not known rather a notion is developed. When it comes to a normal course of time, there is less surety is regarding the variables and the estimates in the case of capital budgeting. This is done to eliminate the uncertainty so that decision-making can be smooth and sensitivity analysis can be stretched to scenario analysis. It is the situation that determines the assumption and the change that is needed. One method of scenario analysis used in capital budgeting is utilizing the end in the case of extreme situations. As put to discussion in the above study that the best and the worst case situation are contrasted with the base case so that preventive measures can be taken into consideration leading to positive scenario (Ferris et. al, 2010). If the case turns out to be adverse than the scenario analysis will support the investors to be away from the situation that leads to adverse happening. As per the discussion, it can be commented that both the method that is the scenario, as well as sensitivity analysis, are useful in knowing the best investment plan. However, there is a strong difference between the two. It needs to be noted that a scenario analysis might take the help of sensitivity analysis but it is not compulsory that the sensitivity will require the use of scenario analysis (Brigham Ehrhardt, 2011). Moreover, the sensitivity analysis will enable the investor to understand various difficulties that are linked to the investment project that is proposed in nature. However, the scenario analysis will help in the evaluation of the various situation and the manner in which the impact in done on the result of the project. Capital Asset pricing model The capital asset pricing model can be said to be a model that helps in knowing about the fair value of an investment. CAPM computes the risk of the asset by evaluating the risk premium for every unit across the overall assets and evaluating the means of market beta. Hence, the CAPM module has a linear link between the market beta and the assets risk premium that can be considered as a risk that is methodical in nature. CAPM even illustrates that the return of an asset is affected due to the beta of the asset (Deegan, 2011). This model is based on the idea that the expected return will satisfy the investors for the return that is expected. Hence, the major consideration is the compensation to the investors in two major ways that are the time value and the risk. The formula of the asset can be written as Expected return (ef) = Risk free rate + Beta*(Risk premium) In simple terms, CAPM provides a prediction that is commanding in scenario regarding the way to evaluate the risk and return relationship. It needs to be noted that the CAPM empirical evidence cannot be said to be a major influencer. The assumption plan of CAPM I not aloof from the bias of data snooping (Libby et. al, 2011). Capital Market Line There are two main methods to attain the CAPM that is the capital market line and the security market line. When it comes to CAPM, the pricing of the securities is done in a manner so that the risk that is expected can be compensated by the expected returns. The capital market line (CML) provides the return of an investor for the portfolio. There appears a linear movement between the risk and return on the portfolio that is efficient. The CML is used to achieve the return from the portfolio. CML provides a rate of return and the one derived from it fluctuate as per the return that is risk-free and the level of risk as ascertained by beta for a particular portfolio (Graham Smart, 2012). It is done by drawing a line of a tangent from the efficient frontier point to the stage where the risk-free rate and return that is expected tends to be equal in the scenario. CML and CAPM Similarity One of the main methods to achieve the CAPM is the CML and the SML. Hence, it is clear that CML is derived from CAPM. Hence, CML is unique in the sense that it helps in attaining the CAPM. Therefore, the features of the CAPM are embedded in CML. During the time of risk adjustment of an asset by utilizing the risk-free rate than the investor is at ease to alter the risk profile. When CML is considered, the market portfolio is comprised of the combined potent of the assets that are prone to risk and utilize the value of the asset market to predict the weights (Damodaran, 2012). The capital market line is generated from the CAPM and is used to drive at the exact rate of return that is needed. CML is powerful as compared to the efficient frontier and the risk-free asset that is present in the portfolio. The CAPM highlights the portfolio that is present in the market and is the efficient frontier. Hence, CML is an element of the CAPM and is a line that helps in projecting the return for e fficient portfolio depending on the rate that is risk-free and the level of the risk. Hence, the features of the CAPM are involved in CML and therefore, features of CAPM are projected in CML. Difference between CAPM and CML There is hardly a big line of difference between the CAPM and CML. The CAPM is a method that that helps in the pricing of the securities so that the investor can understand the risk that is expected. CAPM is a holistic model while CML is a part of it that comes under the concept of CAPM. Therefore, CAPM can be stated as the best method to evaluate the return of an investor where the compensation will be made for the risk that is the systematic risk as diversification is not possible. However, the expectation from the investment can be done as per the involvement of the risk (Damodaran, 2010). The CML takes into consideration the addition of asset that is risk-free and hence, it is classified better as compared to the efficient frontier. Each portfolio comprises of a Sharpe ratio in contrast to the market portfolio. When it comes to buying or investing, it is vital that the capital market line and Sharpe evaluated in tune with the portfolio (Bodie et. al, 2014). Hence, as per the similarity and difference, it can be said that both the model are equally important in deciding the required rate of return for a portfolio. The similarities are more in nature and carry a very little line of difference (Bodie et. al, 2014). As per the report, it can be commented that both the method are equally important and used together that provides a better answer. Conclusion Going by the overall analysis it can be commented that taking financing decision is the need of the hour. It requires certain specific skills and effective tools. In this scenario, both the method sensitive and scenario analysis plays a predominant role in capital budgeting. The user can take an effective result and proceed with the investment. On the contrary, CAPM and CML help in deriving the expected return and used together. Both the concept focuses on the expected return and gives an emphasis to the risk prevalent in the market. References Albrecht, W., Stice, E. Stice, J 2011, Financial accounting, Mason, OH: Thomson/South-Western. Bodie, Z., Kane, A. Marcus, A. J 2014, Investments, McGraw Hill Brealey, R., Myers, S. and Allen, F 2011, Principles of corporate finance, New York: McGraw-Hill/Irwin. Brigham, E. Daves, P 2012, Intermediate Financial Management , USA: Cengage Brigham, E.F. Ehrhardt, M.C 2011, Financial Management: Theory and Practice, USA: Cengage Learning. Damodaran, A 2012, Investment Valuation, New York: John Wiley Sons. Damodaran, A 2010, Applied Corporate Finance: A Users Manual, New York: John Wiley Sons Davies, T. Crawford, I 2012, Financial accounting, Harlow, England: Pearson. Deegan, C. M 2011, In Financial accounting theory, North Ryde, N.S.W: McGraw-Hill. Ferris, S.P., Noronha, G. Unlu, E 2010, The more, merrier: an international analysis of the frequency of dividend payment, Journal of Business Finance and Accounting, vol. 37, no. 1, pp. 14870. Graham, J. Smart, S 2012, Introduction to corporate finance, Australia: South-Western Cengage Learning. Libby, R., Libby, P. Short, D 2011,Financial accounting, New York: McGraw-Hill/Irwin.